PACIFIC ISLANDER PEOPLES

GuÄhan and CHamorus: Guam and Its Indigenous People

CHamoru weaver Tony Mantanona, dressed in a red patterned shirt and shorts, teaches weaving to people on either side of him.

Is CHamoru migration a choice?

Chapter objectives
  • Learn about the migration of CHamorus to the United States and the growth of their diasporic communities.
  • Understand how American colonialism shapes CHamoru migration experiences.
  • Explore the reasons for the CHamoru migration to the United States.

This chapter examines the migration of CHamorus of the Mariana Islands to the United States and the subsequent growth of their diasporic communities. The modules highlight wayfinding, diasporic social organizations, art practices, community festivals, and relationship maintenance. The chapter explains how American colonialism shapes the CHamoru experience of migration, and explores the complex interplay of political, economic, and social factors that have influenced the growing movement of the Islanders. Furthermore, it investigates the lived experiences of the CHamorus in the United States, focusing on themes of identity, cultural adaptation, community formation, and the ongoing negotiation of their relationship with both their homeland and their adopted nation.

Modules in this chapter


CHamoru Wayfinding Beyond the Mariana Islands

Sons and Daughters of Guam Club

CHamoru Diasporic Arts

CHamoru Cultural Festival

Sustained Connection to the Mariana Islands

CHamoru Wayfinding Beyond the Mariana Islands

Sons and Daughters of Guam Club

CHamoru Diasporic Arts

CHamoru Cultural Festival

Sustained Connection to the Mariana Islands

Chapter Sources


Atalig, David. Interview by Jesi Lujan Bennett. December 17, 2017.

Bennett, Jesi Lujan. “Daughters of the Diaspora: Traversing Chamoru Women’s Stories Beyond the Mariana Islands.” Amerasia Journal 48, no. 3 (2023): 239–252.

Bennett, Jesi Lujan. “Migrating Beyond the Mattinan: Chamoru Diasporic Routes, Indigenous Identities, and Public Exhibitions.” PhD diss. University of Hawaiʻi at Manoa, 2021.

Bennett, Jesi Lujan. “‘I Sengsong San Diego’: The Chamorro Cultural Festival and the Formation of a Chamoru Diasporic Community.” Journal of the Pacific Arts Association 22, no. 1 (2022): 114–129.

Bennett, Jesi Lujan. “Guagua’ (woven basket) and Chamoru weaving (mamfok).” Smarthistory, March 26, 2025. https://smarthistory.org/chamoru-guagua-mamfok/.

Bevacqua, Michael Lujan. “Bevacqua: CHamoru language immersion program in the states.” Guam Daily Post, November 16, 2023. https://www.guampdn.com/opinion/bevacqua-CHamoru-language-immersion-program-in-the-states/article_7b742e7c-8441-11ee-bbdb-4bb3f29712f0.html.

Castro, Marie S. C. Without a Penny in My Pocket: My Bittersweet Memories Before and After World War II. Dorrance Publishing Co., 2014. 

Charfauros McDaniel, Gisela, and Antoinette Charfauros McDaniel. “Tiningo’ si Sirena: A Conversation with Gisela Charfauros McDaniel and Antoinette Charfauros McDaniel.” Interview by Marina Tyquiengco. Museum of Fine Arts, Boston, 2022. https://www.mfa.org/article/2022/tiningo-si-sirena-a-conversation-with-gisela-charfauros-mcdaniel-and-antoinette. 

Cunningham, Lawrence.  Ancient Chamorro Society. The Bess Press, 1992.

Diaz, Vicente. “No Island Is an Island.” Native Studies Keywords, edited by Stephanie Nohelani Teves, Andrea Smith, and Michelle H. Raheja. University of Arizona Press, 2015.

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The Asian American Studies Center acknowledges the Gabrielino/Tongva peoples as the traditional land caretakers of Tovaangar (Los Angeles basin, So. Channel Islands) and pay our respects to the honuukvetam (ancestors), ‘ahiihirom (elders), and ‘eyoohiinkem (relatives/relations) past, present, and emerging.

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