Has leaving Vietnam as refugees impacted what it means to be Vietnamese American?Copy Section Link

This module introduces what has been known as the Vietnam War in the United States and the American War in Vietnam, covering the period from 1954 to 1975. This period has also been referred to as the Second Indochina War. While mainstream histories and chronologies often center the American perspective and highlight well-known events such as the Mỹ Lai Massacre or the Tết Offensive (both occurring in 1968), this module considers the perspectives of the South Vietnamese who fled their homeland after the war, and whose stories are often distorted or erased in Vietnam and the United States.

We will engage with the “ordinary” experiences of people who lived through extraordinary times. This “bottom-up” approach to learning about a major world event will foster critical thinking and analytical skills. We will also examine how official archives are partial and incomplete, often reflecting the priorities of those in positions of power and privilege. This will prepare us for exploring how people who are left out of official history can construct their own community archives.

Who gets to tell the story of the Vietnam-American War?

How are people turned into enemies during wartime?

What sources can we explore for a more nuanced understanding of the Vietnam-American War from the Vietnamese perspective?

“War! What Is It Good For?”: The Antiwar Movement Copy Section Link

A song performed by the Temptations and Edwin Starr in 1970 has served as an anthem for the antiwar movement, and remixed by later generations. Called “War,” the song has the following verse:

War, I despise
’Cause it means destruction of innocent lives
War means tears to thousands of mother’s eyes
When their sons go off to fight
And lose their lives 4

The song was a number one hit upon its release in the United States. It captured many of the anxieties Americans were experiencing as the Vietnam-American War escalated and became very visible to them through television screens. From newspapers and photographic images to radio broadcasting and television reports, the Vietnam-American War entered the lives of Americans as no other war had done at the time.

The antiwar movement, sometimes called the peace movement, kicked off in 1965 with a series of protests against US involvement in Vietnam and lasted for a decade. It intersected with other major social movements of the era, including the African American civil rights movement, second wave feminism, ethnic studies strikes, the Chicano movement, and anticolonial struggles around the world.

Video 19.02.04 — American singer Edwin Starr’s version of “War” captured the anxieties that many Americans were experiencing as they watched the Vietnam-American War unfolding on their home television screens. Starr’s “War” continues to be a popular protest song.

Courtesy of WEWS-TV 5, ABC. Metadata ↗

03:13

Significantly, it was Motown Records, a Black-owned label, and Edwin Starr, a Black veteran of the US military, that brought this antiwar hit song to the American public. While Black people were still fighting for civil rights in the shadow of centuries of enslavement and Jim Crow segregation, they were also being drafted by the military and sent to Vietnam “to die for their country” under the government’s rationale of stopping the international spread of Communism.

Dr. Martin Luther King Jr. referred to the Vietnam-American War as “a white man’s war,” but “a Black man’s fight,” due to the disproportionately higher percentage of combat casualties of African Americans compared to whites. “We were taking the Black young men who had been crippled by our society and sending them eight thousand miles away to guarantee liberties in Southeast Asia which they had not found in southwest Georgia and East Harlem,”5 he said.

A black-and-white political cartoon depicts a group of African American soldiers in uniform standing in formation in what appears to be Vietnam, with palm trees in the background. All the soldiers wear helmets labeled "USA" and have somber or resigned expressions. In front of them, a white officer gestures while saying, "Back home in the States, Negroes are at the end of the line, but here in Vietnam it's different—we put you right up front!!"

Image 19.02.05 — This cartoon highlights the contradiction of Black soldiers sent overseas to fight for a country that continued to deny their civil rights back home. The term “Negro” was commonly used in the 1960s. It is not an acceptable term today.

Courtesy of African-American involvement in the Vietnam War. Metadata ↗

Among those most critical of US militarism at the time were Asian Americans, the majority being of Chinese, Japanese, or Filipino ancestry. They pointed out how the Communist “enemies” of the United States in Vietnam looked like Asians here, and the similarities between US war policy and how Japanese people were demonized and targeted during World War II.

In that time period, mainstream magazines like Time and Life portrayed Japanese people as the racialized enemy, caricatured as yellow, ape-like, and emotionless. Dehumanizing the enemy “other” has always been part of wartime propaganda, but during the 1960s and 1970s, antiwar activists made a clear connection between the historical injustices long suffered by Asian Americans—at the hands of the US government—and what was happening in Southeast Asia.

Beginning in the 1960s, violence towards Asians became visible through the work of wartime photojournalists. They captured iconic images, such as the execution of a suspected Communist soldier in South Vietnam—who was part of the armed forces referred to as the Việt Cong—and the photo of a naked child, Kim Phúc, running from a misdirected US napalm bombing of a village. This violence toward Asians also appeared on television and in films. Few of the early Vietnam War films such as Platoon, Full Metal Jacket, and Apocalypse Now told the stories of soldiers of color, or of Vietnamese people. When appearing in these popular culture representations, Vietnamese people were often shown as either the enemy or as helpless victims.

Efforts to counter these negative perspectives often come from within these reflected communities. In 1989, writer Le Ly Hayslip published her memoir, When Heaven and Earth Changed Places: A Vietnamese Woman’s Journey from War to Peace, which was later adapted into a film. Her story of growing up in a small village, being caught between the North and South, and making difficult choices for her and her family’s survival captures the complex lived experiences of the Vietnamese people during and after the war.

Le Ly Hayslip squats with a young girl in a rice field in her hometown, Ky La, in the Quang Nam-Da Nang Province.

Image 19.02.06 — Le Ly Hayslip (left), humanitarian and author of When Heaven and Earth Changed Places (1989) and Child of War, Woman of Peace (1992). Her writings re-center narratives about the Vietnam-American War with stories by and about Vietnamese people.

Courtesy of Bancroft Library, Geoffrey Clifford. Metadata ↗

Other writers have also provided alternative perspectives that connect the Vietnam-American War to liberation struggles experienced by people of color. Anthony Grooms’s novel Bombingham follows the life of a Black man, from a childhood filled with racial violence to his time as a soldier experiencing more racial violence in the rice fields of Vietnam.

Even when official history records do not include their stories, marginalized people leave archives in the form of oral history, music, literature, and political speeches. In this way, they are able to tell their version of the story of the Vietnam-American War.

Glossary terms in this module


archives Where it’s used

[ ahr-kyvz ]

A collection of historical documents, records, or ephemera providing information about a place, institution, or group of people.

colonialism Where it’s used

[ kuh-loh-nee-uh-liz-uhm ]

When one country takes partial or complete control over another country economically and politically, which can include exploiting its natural resources for profit. The colonizer imposes their belief system and way of life onto the colonized.

Fall of Saigon Where it’s used

[ fall uhv sigh-gahn ]

Refers to the collapse of the South Vietnamese capital on April 30, 1975, marking the end of the Vietnam-American War. For Vietnamese people who remained after the war, this date is often referred to as “Liberation Day.”

militarism Where it’s used

[ mil-i-tuh-riz-uhm ]

The belief in and use of force, including full-scale war, to assert power, authority, and control over a nation or people.

reeducation camp (trại cải tạo) Where it’s used

[ ree-eh–kay-shuhn kamp ]

Prison or hard labor camps under the Communist government of Vietnam where approximately 200,000 to 300,000 former South Vietnam military officers, government workers, and affiliates were sent for months to years following the Vietnam-American War.

refugee Where it’s used

[ ref-yoo-jee ]

A person who has been forced to leave their country in order to escape war, persecution, or natural disaster.

Endnotes

 1 Nguyễn Thị Hạnh Nhơn, interviewed by Nancy Bui, November 9, 2010, Vietnamese American Heritage Foundation 500 Oral Histories Project, Vietnamese in the Diaspora Digital Archive, https://calisphere.org/item/ark:/81235/d8gv99/.

 2 Nguyen, interview.

 3 Nguyen, interview.

 4 “War,” track 1 on Edwin Starr, War & Peace, Motown Record, 1970.

 5 Martin Luther King, Jr. “Beyond Vietnam—A Time to Break Silence,” (speech, New York, NY, April 2, 1967), American Rhetoric, https://www.americanrhetoric.com/speeches/mlkatimetobreaksilence.htm.